Monumental ambitions: the history behind Trump’s triumphal arch

Donald Trump took time out this week from dramatic events at home and abroad to reveal three new design concepts for his proposed “Independence Arch” in Washington DC.

All three renderings resemble the famous Arc de Triomphe in Paris, although one features gilded livery not unlike Trump’s chosen adornments to the Oval Office in the White House.

Commissioned in preparation for the 250th anniversary of the signing of the Declaration of Independence on July 4, the triumphal arch draws on a long history of celebrating military conquest, from Roman emperors to Napoleon Bonaparte.

As such, it aligns seamlessly with Trump’s foreign policy and his stated mission for the United States to control the western hemisphere – as he has dubbed it, the “Donroe Doctrine”.

But as many have been asking, while the design is a copy of an iconic monument, is a personal tribute necessarily the best way to mark the anniversary of America’s break with absolute rule and the British monarchy?

The ‘Arc de Trump’

When Trump first displayed models of the proposed arch last October, a reporter asked him who it was for. Trump replied “Me. It’s going to be beautiful.”

In a December update, the president said the new arch “will be like the one in Paris, but to be honest with you, it blows it away. It blows it away in every way.”

There was one exception, he noted: “The only thing they have is history […] I always say [it’s] the one thing you can’t compete with, but eventually we’ll have that history too.”

The president clearly believes his arch will be part of creating that history. “It’s the only city in the world that’s of great importance that doesn’t have a triumphal arch,” he said of Washington DC.

Set to be located near Arlington National Cemetery and the Lincoln Memorial, the site would put the new structure in a visual conversation with many of the most famous landmarks in the national capital.

This also aligns with other projects that will leave Trump’s mark on the physical fabric of Washington: changes to the White House last year that included paving over the famous Rose Garden, decorating the Oval Office in rococo gold, and demolishing the East Wing for a US$400 million ballroom extension.

The “Arc de Trump” (as it has been branded) is now the “top priority” for Vince Haley, the director of the Domestic Policy Council for the White House.

Triumph and design

The Arc de Triomphe in Paris, located at the top of the Champs-Élysées, was commissioned by Napoleon Bonaparte in 1806 to honour the French imperial army following his victory at the Battle of Austerlitz. It was not finished until 1836, under the reign of King Louis Philippe I.

Architects for the project, Jean-François Thérèse Chalgrin and Jean-Arnaud Raymond, drew on classical arches for inspiration, with Rome’s Arch of Titus (circa 85 CE) as the main source. It was built by Emperor Domitian (51–96 CE), a cruel and ostentatious tyrant who was popular with the people but battled with the Senate and limited its power to make laws.

Domitian commissioned the arch to commemorate the deification of his brother Titus, and his military victory crushing the rebellion in Judea.

Given its inspiration, Trump’s proposed arch doesn’t reference any uniquely American design features. But the neoclassical style recalls earlier monuments that also reference antiquity.

The Washington Monument, for example, is built in the form of an Egyptian obelisk. A four-sided pillar, it tapers as it rises and is topped with a pyramid, a tribute to the sun god Ra.

But it also incorporated an element that was meant to symbolise American technological advancement and innovation – a pyramid cap made of aluminium.

When the obelisk was completed in 1884, aluminium was rare because the process for refining it had not been perfected. The top of the monument was the largest piece of cast aluminium on the planet at that time.

‘Truth and sanity’

Trump’s triumphal arch is likely destined to join a long debate about the merits of public monuments and what they represent.

During the Black Lives Matter movement, many statues of historical figures were removed from public display because they were seen as celebrations of racism and imperialism.

Trump has since restored at least one Confederate statue toppled during that time, and his desire to add a new monument to himself should come as little surprise.

During the Jim Crow era of racial segregation and throughout the civil rights movement, there was a sharp spike in the number of monuments erected to Confederate soldiers and generals.

Just as tearing down those statues was a statement, so is the creation of a new memorial to promote Trump’s positive interpretation of the nation’s past. It is also consistent with his administration’s declared mission of “restoring truth and sanity to American history”.

Maybe the more immediate question is whether the Independence Arch can even be built by Independence Day on July 4, a tall order even for this president. As for its reception, history will have to be the judge.