Too Much Lip joins the other prizewinning volumes in Melissa Lucashenko’s trophy cabinet. Her first-ever novel, Steam Pigs (1997), was shortlisted for or won several major prizes, and in the past two decades her books have racked up 26 awards.
Today’s win confirms her status as one of Australia’s top writers of contemporary fiction. Lucashenko has a marvellous knack of crafting fictions that are both drenched in anger, dysfunction and tragedy, and woven through with laugh-out-loud funny scenes, and relationships of great tenderness - with people and other living beings, and with the country in which they live.Courtesy Miles Franklin Literary Award/Belinda Rolland.
This latest volume is a brilliant addition to her oeuvre. A sustained story about a highly dysfunctional and traumatised family, its chief focus is on Kerry, the sister and daughter who has returned home. It is a home summed up by brother Ken as “a fucking coma ward”.
Pop in bed with the remote welded to the nags. Mum sits doing her cards and reading about the Second Coming of Christ our Lord, and I’m just about ready to harvest [son] Danny for his organs if the useless prick doesn’t move his arse soon. Talk about Limpet Dreaming.
Kerry laughs in response, largely to placate her labile brother; but for her it is not a joyful return. Not only is she here to say goodbye to her dying grandfather, but she is still wounded from the recent loss of her girlfriend Allie, who has been imprisoned for armed robbery, and has ended their relationship. Adding to disaster, Kerry and her family discover plans to develop a sacred site – and not just develop it, but actually build a prison on it.
Authors: Jen Webb, Director of the Centre for Creative and Cultural Research, University of Canberra